https://thisinvisiblespacebetweenwe.blogspot.com/2021/01/holanda-francisco-de.html

 Muchas sciencias y noticias convienen al pintor, de quien hablo, para la perfección de su virtud y cuando él no las pudiere saber cumplidamente todas, lo cual sería menester, debe, a lo menos, no estar ignorante de ellas, y en cada una por sí tener buena parte de noticia.(…) Mas, si alguno dijere que yo mando tener cosas que no solamente no se hallan en uno pero aún en muchos hombres cuanto más en un pintor sólo; respóndole a este tal: que el pintor de quien hablo como el antiguo Apeles o el nuevo MicaelAngelo tuvieron todo lo necesario, ni yo les mando tener más de estas cosas, y digo, que no es perfecto ni pintor el que esto necesario no tuviere de ellas; y por aquí sabrán los que no pueden tanto alcanzar cuan cerca o cuan lejos están de pintores. (Francisco de Holanda)

🙏

 Today a new era begins in the Americas.  Certainly much more Democratic and Diplomatic.  With nobility the former First Lady of the USA Melania Trump said goodbye to calm exalted spirits.  A new era begins again in the Americas, and we wish it to be an era of peaceful agreements between nations across the globe.  Our passage through this life needs to be great, magnificent and peaceful, without inhuman acts and with respect to our Nature.  All good thoughts and wishes for a world without wars or threats of wars.  Congratulations Joe Biden!  During medieval wars, book translators were the ones who coexisted among enemy nations, each more understanding the other through the translation of manuscript books.  Today we have digital and electronic translators, through the Internet as a tool of global reach, perhaps of interplanetary reach.  We need to define ethical parameters for commercial, recreational and fundamentally political use, because in the past when we met a person from another country, the possibility of meeting again was remote, today we maintain direct and simultaneous contact regardless of time zones or distances.  The world has become better without any doubt, but the human being of the last millennia has not changed so much.  We need to define ethical parameters of justice and equality in the uses of the internet and maintain connections around the world, because today we are all international.  We travel in space and time through virtual trails and that these trails lead us to an objective, which is the connection of good and good faith.  Congratulations and success in this helm that is to govern, which I do not dare.

Il Cortegiano

 Il fin adunque del perfetto cortegiano, del quale insino a qui non s'è parlato, estimo io che sia il guadagnarsi per mezzo delle condicioni attribuitegli da questi signori talmente la benivolenzia e l'animo di quel principe a cui serve, che possa dirgli e sempre gli dica la verità d'ogni cosa che ad esso convenga sapere, senza timor o periculo di despiacergli; e conoscendo la mente di quello inclinata a far cosa non conveniente, ardisca di contradirgli, e con gentil modo valersi della grazia acquistata con le sue bone qualità per rimoverlo da ogni intenzion viciosa ed indurlo al camin della virtú; e cosí avendo il cortegiano in sé la bontà, come gli hanno attribuita questi signori, accompagnata con la prontezza d'ingegno e piacevolezza e con la prudenzia e notizia di lettere e di tante altre cose, saprà in ogni proposito destramente far vedere al suo principe quanto onore ed utile nasca a lui ed alli suoi dalla giustizia, dalla liberalità, dalla magnanimità, dalla mansuetudine e dall'altre virtú che si convengono a bon principe; e, per contrario, quanta infamia e danno proceda dai vicii oppositi a queste. Però io estimo che come la musica, le feste, i giochi e l'altre condicioni piacevoli son quasi il fiore, cosí lo indurre o aiutare il suo principe al bene e spaventarlo dal male, sia il vero frutto della cortegiania. E perché la laude del ben far consiste precipuamente in due cose, delle quai l'una è lo eleggersi un fine dove tenda la intenzion nostra, che sia veramente bono, l'altra il saper ritrovar mezzi opportuni ed atti per condursi a questo bon fine desegnato, certo è che l'animo di colui, che pensa di far che 'l suo principe non sia d'alcuno ingannato, né ascolti gli adulatori, né i malèdici e bugiardi, e conosca il bene e 'l male ed all'uno porti amore, all'altro odio, tende ad ottimo fine. (CASTIGLIONE, Baldassare)

CASTIGLIONE, Baldassare.

STELLAE

 Avvolto in diversi indumenti, il Belo continua a fornire esaltazioni di spirito e desideri.  Rimane nella sua natura distinta e nelle varietà sintetiche quando emana energie di strane composizioni, la comprensione, tuttavia, è percepita in intensità tali che la prendiamo con familiarità e intimità, così come le stelle così lontane e così vicine e attraverso la loro energia, si espandono  in via lactea sotto magnitudini di infinite sfumature di luci e forme infinite come i loro punti manifestati negli anni luce.  Da quella luce sono nati gli dei governanti e le loro personificazioni.  Una forza che genera questa energia nascosta nelle parti della sua “creazione” fa fluire il Bello, si manifesta nella totalità.

 Tra tante Bellezze, la Bellezza delle Muse personificata negli incantesimi, nella magia dell'ammirazione e nella poetica espressa.  La luce rivelatrice del Sole mostra la Luna e le sue facce in turni simultanei.  Piroetta, piroetta.  Generano movimento senza tempo delimitato.

 I corpi esalano le loro luci riflesse nello spettro, come un profumo che esala nello spazio e penetra debolmente i sensi.  Fissano l'impressione di incantesimi, sensi e sentimenti sulla retina.  Generano immagini di molteplici sogni ad occhi aperti, reali quanto la realtà fisica stessa, la finzione vissuta nella mente come se fosse materiale.  Ma l'immaginazione è reale e organica, i corpi soffrono e rinvigoriscono la loro conduzione dall'anima espansa come le luci che lampeggiano nel cielo.  Anche le anime nere si espandono, ma non sono stampabili, svaniscono davanti al Bello riflesso nelle stelle delle Muse.

 Dedico così a Monica Belluci questi versi sciolti di intenti poetici e pittorici con disegni virtuali di stelle che brillano ed emanano le loro luci senza limiti di confini o distanze, fornendo ispirazioni amplificate proporzionalmente in algoritmi.

ASTROLABIUM

SPECULA

 

ASTRONOMIA

Suspice caelum et ea quae in quo verum apparet in intellego me intellegere ubi visum est in me recta, quae curvam rectae aut in tempus et spatium.

https://thisinvisiblespacebetweenwe.blogspot.com/2020/12/matrix.html

Art

 How can we deny that the inventor of Moeda was a sculptor?  Who else but a sculptor?  The Philosopher, given the Emperor's will, may have thought it, certainly thought it, but the sculptor conceived and generated a skill emanating from the Soul without anticipating the ambition that this object would attract, the most sordid feelings.  The adjectives for Art are infinite.  Its diverse functions escape understanding and understanding.  Scientific definitions demonstrate how diverse it is in its manifestation.  Definitions generate definitions, so on.  The more speculative the more diverse it is and permeates what is necessary for life.  From the moment we were able to circumvent our own shadow to current times with the handling of numbers that give virtual form, without the need for prior knowledge in mathematics, a form contained in itself in the course of this proportional unfolding in time and space.  Art permeates the existence of "things" themselves, applied or idealized in matter, in mind, in the virtual and in the ethereal.  Simulates, represents, transmits, chameleonically.  It is exalted through a brain, it moves and extends, amplifying itself with infinite forms and diverse materials A direct contact between soul and mind.  As an instrument, it provokes religious and political ambition with such diverse purposes, as is the very definition of Art for each artistic sense and perception.

ABACI

 

Monica Bellucci

#monicabellucci 

ARISTÓTELES: :Pues no debe el sabio recibir órdenes, sino darlas, y no es él el que ha de obedecer a otro, sino que ha de obedecerle a él el menos sabio."

Mas, en definitiva, si lo dicho por él es verdadero, tampoco esto mismo sería verdadero, a saber: que sea posible que una misma cosa simultáneamente sea y no sea; pues, así como, separadas una de otra, no es más verdadera la afirmación que la negación, del mismo modo, siendo el conjunto y complejo de ambas como una sola afirmación, no será más verdadera la negación  que el todo considerado como una afirmación. Y, todavía, si no se puede afirmar nada con verdad, también será falso decir que no hay ninguna afirmación verdadera. Pero, si se puede, resulta inconsistente lo que dicen quienes levantan tales objeciones y tratan de destruir completamente el diálogo.

Over the past 200 years, millions, trillions of dollars have been diverted from public coffers, and yet there has always been a fund that covered these holes. We discussed where to get resources to fund a universal income for Brazilians. Now, there is no need to invent or transfer resources for this purpose, just use the same fund that covered the deviations from corruption in these last 200 years.

My God does not create intrigue, does not generate disagreements, does not set beings against each other. My God cultivates and cares for life, my God does not accept the death of beings. My God does not use lies to deceive his people. The heaven of my God receives the poor and the rich, it has no color or flag. My God generates harmony, combats accepted intolerance, even if he despises him or uses his name in vain. My God does not seek to blame for his mistakes. My God does not put himself above beings, he interacts with his creation. MY GOD IS OF PEACE, LIGHT, AND ARMONY. Unfortunately, whatever the god of this President of Brazil who communicates with, he is not MY GOD. (Marcelo Peres)

VASARI, Giorgio

 È certo i nostri vecchi, come amorevoli de l'arte, trovarono il tirarli per via di linee in prospettiva, che non si poteva fare prima, pure li ridussero tanto innanzi, che oggi s'ha la vera maestria di farli. E quegli che li biasimano (dico delli artefici nostri) sono quelli che non li sanno fare, e che, per alzare se stessi, vanno abassando altrui.

Quanto buona opera fa la natura, fra le infinite buone che ella ne fa, quando ella manda uomini al mondo, che universalmente siano nelle fabbriche di alto ingegno e che quelle rendino sicure di fortezza e murate con diligenza, le quali d'ogni tempo a chi nasce faccino vero testimonio de la generosità de' principi magnanimi, con lo abbellire, onorare e nobilitare i siti, dove elle sono? Con ciò sia cosa che gli scritti, quando sí fatte cose adducono per testimonio, sono piú carichi di verità e di maggiore ornamento pieni. Inoltre elle ci difendono da la furia de gli inimici, danno conforto all'occhio nel vederle, essendo di somma bellezza ornate, e ci fanno infinite comodità, consumandosi dentro a quelle, se non piú, la metade almeno della vita nostra. Sono ancora necessarie per le povere genti, le quali, in quelle lavorando, si guadagnano il viver loro, senza che gli squadratori, gli scarpellini, i muratori et i legnaiuoli operando sotto nome d'un solo, fanno che si dà fama a infiniti. Laonde, concorrendo gli artefici per gara della professione, diventano rari ne gli esercizii e tali eterni per fama, che, come un lucentissimo sole posto sopra la terra, circondano il mondo ornatissimo e pieno di bellezza. Perché la gran madre nostra, del seme de' suoi geni|tori con l'opere di loro stessi, fanno diventare di rustica, pulita, e di rozza, leggiadra e colta, e con le virtú di lei medesima infinitamente crescere de grado. Laonde il cielo, che gli intelletti forma nel nascere, veggendo quegli sí belle fabbriche cavarsi della fantasia, gioisce nel vedere esprimere i concetti delle menti divine et i grandissimi intelletti de gli uomini. E nel vero, quando tali ingegni vengono al mondo, e tali e tanti benefici gli fanno, ha grandissimo torto la crudeltà della morte a impedirli il corso della vita. Ancora che non potrà ella però già mai con ogni sua invidia troncare la gloria e la fama di quegli eccellenti, consecrati alla eternità; la onorata memoria de' quali (mercé degli scrittori) si andrà continuamente perpetuando di lingua in lingua, a dispetto della morte e del tempo;

Il Cantico di Frate Sole o Delle Creature

 

Altissimu, onnipotente bon Signore, 

Tue so' le laude, la gloria e l'honore et onne benedictione. 

Ad Te solo, Altissimo, se konfano, 

et nullu homo ène dignu te mentovare. 

Laudato sie, mi' Signore cum tucte le Tue creature,

spetialmente messor lo frate Sole, 

lo qual è iorno, et allumini noi per lui. 

Et ellu è bellu e radiante cum grande splendore: 

de Te, Altissimo, porta significatione. 

Laudato si', mi Siignore, per sora Luna e le stelle: 

il celu l'ài formate clarite et pretiose et belle. 

Laudato si', mi' Signore, per frate Vento 

et per aere et nubilo et sereno et onne tempo, 

per lo quale, a le Tue creature dài sustentamento. 

Laudato si', mi Signore, per sor'Acqua. 

la quale è multo utile et humile et pretiosa et casta. 

Laudato si', mi Signore, per frate Focu, 

per lo quale ennallumini la nocte: 

ed ello è bello et iocundo et robustoso et forte. 

Laudato si', mi Signore, per sora nostra matre Terra, 

la quale ne sustenta et governa, 

et produce diversi fructi con coloriti fior et herba. 

Laudato si', mi Signore, per quelli che perdonano per lo Tuo amore 

et sostengono infermitate et tribulatione. 

Beati quelli ke 'l sosterranno in pace, 

ka da Te, Altissimo, sirano incoronati. 

Laudato si' mi Signore, per sora nostra Morte corporale, 

da la quale nullu homo vivente pò skappare: 

guai a quelli ke morrano ne le peccata mortali; 

beati quelli ke trovarà ne le Tue sanctissime voluntati, 

ka la morte secunda no 'l farrà male. 

Laudate et benedicete mi Signore et rengratiate 

e serviateli cum grande humilitate.

San Francesco d'Assisi 

The Brazilian people, since 9/7/1822, never complained or saw problems in paying taxes for corruption and embezzlement of public resources of the State of billionaire values. However, at the present time, to pay R $ 600.00 (six hundred reais) for basic survival costs, the Brazilian people, including those who need these resources, are against it, with the argument that they do not want to pay taxes for "vagabonds". This is a very characteristic aspect of the Brazilian profile.

(Φ,φ)

 

ALBERTI, Leon Bautista.

"Por esto exhorto yo á los Pintores aplicados á que estudien los Poetas y Retóricos, como tambien otros varios autores eruditos hasta familiarizarse con ellos, pues de unos ingenios tan cultivados podrán sacar muchas noticias pro vechosas, con las cuales adornarán y hermosearán sus com  posiciones, que es lo que mas acredita una obra de Pintura."

DA VINCI, Leonardo.

"Las medidas universales del cuerpo se han de tomar por lo largo, no por lo grueso; porque la cosa mas maravillosa y laudable de las obras de la naturaleza consiste en que jamas se parece exactamente una persona á otra. "

CARDANO, Girolamo.

Vaga nell'incertezza chi non sa se ciò che cerca può essere trovato. La speranza alimenta gli uomini, sostiene la mancanza di mezzi, rende dolci i lavori, piacevoli gli errori; la disperazione rovina e distrugge tutte le cose.

AGRIPPA, Cornelio.

"...y sería un absurdo decir que todos los pequeños cuerpos imperfectos, y las pequeñas partes del mundo, y todos los animales más despreciables, las moscas y los gusanos son sujetos dignos de vida, que poseen la vida, que tienen un alma, y que el mundo en su totalidad, que es el cuerpo

más perfecto y total, y más noble de todos, los tiene vida ni alma. No es menos irrazonable proponer que los cielos, las estrellas y los elementos que dan plenamente la vida y el alma a cada cosa en particular, estén privados de la vida y del alma, y que una planta, o el árbol más pequeño, sea una condición más noble que el cielo, las estrellas y los elementos que, según el orden de la naturaleza, no tienen otras causas que ellos mismos. Nadie puede decir, a menos que esté privado de razón, que la tierra y el agua no viven, cuando por sus propias reservas producen árboles, plantas y animales sin cuenta, los vivifican, nutren y hacen crecer. Esto es tan patente en las cosas que derivan de sí mismas y en las que carecen de semillas corporales. Los elementos no podrían producir ni nutrir estas clases de cuerpos vivientes si no estuviesen vivos. Algunos filósofos tal vez digan que estas clases de cuerpos vivientes son producidos por los influjos de las almas celestes, y no por el alma de la tierra. Los platónicos les responden que un accidente no puede producir una sustancia, a menos que no sea como un instrumento subordinado a la sustancia más próxima, porque el instrumento alejado del artista no recibe movimiento a los efectos del arte. De modo parecido, estas influencias celestes, al ser determinados accidentes bien alejados de sus sustancias vitales, o de la vida misma, no producirán sustancias vitales en los cuerpos inferiores de este mundo inferior. Mercurio, en su Tratado sobre el Común

dice que todo lo existente en el mundo se mueve por crecimiento y decrecimiento. Todo lo que tiene movimiento tiene, por ello, vida, y como todas las cosas tienen movimiento, igual ocurre con la tierra, y sobre todo con el movimiento de generación y alteración, y ella es parecidamente viviente. Si alguien duda de que los cielos vivan, dice Teofrastro, no habrá que considerarlo filósofo; y quien niegue que el cielo está animado, de modo que su motor no es su forma, destruye los fundamentos de toda la filosofía. Debe, pues, sostenerse que el mundo vive, que tiene alma y juicio, ya que da vida a las plantas que no se producen por medio de la semilla, y da sentido a los anímales que no se engendran por copulación."

HUMANISTICA

"Che cosa è finalmente la belezza del corpo? Una certa vivacitá di attione, & una certa gratia, che risplende nella istessa cosa bela per l'influsso della idea. Questo fulgore non descende  in  quello, sin che la materia non sia preparata piú, che sia  possibile. (...) Percioque bisogna, che tutti membri del corpo habíammo il suo sito naturale.
" GALLUCCI, Paolo. Libro Quinto in  DURERO, Alberto. Della Simmetría dei Corpi Humani 

IMPRESA

Michelangiolo Buonarroti

"Amore è un concetto di bellezza immaginata o vista dentro al core, amica di virtute e gentilezza."

Tondo

Astrological Chart

#BLACKOUTTUESDAY

“Ma è davvero scomodo e irragionevole voler porre un limite alle opere degli altri e, come diceva Cícero, voler pretendere la mediocrità da ciò che è meglio tanto più grande è."

Giovanni Pico Della Mirandolla. SULLA DIGNITÀ DELL'UOMO

My Space

MUSA

A LAS MUSAS

Hijas de Mnemósine y del resonante Zeus, Musas Piérides, afamadas, gloriosas, muy gratas para los mortales que visitáis, multiformes, generadoras del irreprochable valor que supone toda instrucción. Nutridoras del alma, ordenadoras del pensamiento, soberanas conductoras de la mente vigorosa. Vosotras, que disteis a conocer a los mortales los misterios rituales, Clío, Euterpe, Talía, Melpómene, Terpsícore, Erato, Polimnia, Urania, juntamente con la madre Calíope y la poderosa diosa Hagne . Mas, ea, venid, por favor, para vuestros iniciados, multicolores y castas, aportando una emulación gloriosa, deseada y por muchos celebrada.

CONFINI

With what words to evaluate a public demonstration, which claims a Dictatorial government, which would use force to suppress demonstrations like this one? A demonstration that used Democracy to demand Dictatorship. With what words?

A people that dreams of entering a war as a solution to internal political problems.  Faced with quarantine, he decided to opt for a dictatorship in order not to join the fight against the covid-19.  What can you expect from such a country?

Today is the International Art Day. With Art it was possible to see what was not possible for the senses, for perception. It motivated the investigation of Nature, Beings and the Ethereo. It was used for the Good and the Bad. It lasts from the very beginnings of existence and will remain throughout existence. sacred or desecrated.

MUSA

A LAS ESTRELLAS

Invoco a la sagrada luz de los Astros celestiales, al par que conjuro, con voces rituales, a las sagradas deidades. Estrellas celestiales, amadas hijas de la negra Noche, que se mueve en vertiginosos remolinos en torno al trono, reflectores de luz, ardientes, perennes engendradoras de todo, detentadoras del destino, porque son prenunciadoras de toda resolución suya, al cuidar del sendero que los dio¬ses reservan a los hombres mortales; vigilantes de las zonas de siete luces, erráticas por el firmamento; celestiales y terrenales, veloces como la llama, de perenne solidez, que proyectan su luz sobre el manto sombrío de la noche, bri¬llando con destellos y se mantienen alegres en vigilia. Ve¬nid, pues, a las tareas que requieren un gran conocimiento de nuestro piadoso ritual, realizando un noble trayecto pa¬ra una empresa gloriosa. Invoco a la sagrada luz de los Astros celestiales, al par que conjuro, con voces rituales, a las sagradas deidades. Estrellas celestiales, amadas hijas de la negra Noche, que se mueven en vertiginosos remolinos en torno al trono.

AL SOL

Escúchame, afortunado, que posees una mirada eterna y omnividente, Titán de áureo resplandor, Hiperión , luz celestial, autoengendrado, infatigable, grato rostro de los seres vivos, creador de la Aurora, a la derecha y a la iz¬quierda de la Noche; que regulas la temperatura de las estaciones, saltando con tus cuadrúpedos. Brioso, silbante, inflamado, de rostro alegre, auriga, que realizas un trayecto en vertiginosos círculos, guía que convoca a los piadosos; furibundo para los impíos, poseedor de áurea lira, que trazas el armonioso sendero del universo, rector de nobles empresas, joven nutridor de las estaciones, soberano del universo, de agudo soplido, raudo como centella, de movimientos circulares, generador de luz, multiforme, vivificante, fértil Peán. Eterno, puro, padre del tiempo, inmortal Zeus; apacible, visible a todos, mirada envolvente del universo, cuando te extingues y cuando iluminas con brillantes y hermosos rayos, guardián de la justicia, amante del agua, señor del mundo, guardián de la buena fe, supremo por siempre, socorredor de todos, ojo de la justi¬cia, luz de la vida. Auriga, que impulsas tu cuadriga con el restallante látigo. Escucha, pues, mis palabras y descubre a tus iniciados la dulzura de la vida.

A LA LUNA

Escucha, regia diosa, generadora de luz, divina Sele¬ne, Luna de cuernos de toro, que, noctámbula por las rutas del aire, a lo largo de la noche, sostienes una antor¬cha; doncella, hermosa estrella, Luna, creciente y menguan¬te, hembra y macho ; de sólido resplandor, que gustas de los caballos, madre del tiempo, portadora de frutos, ambarina, de fuerte carácter, relumbrante en medio de la noche, omnividente en vigilia, pujante entre bellos astros. Complaciente con la paz y la felicidad de la noche, brillan¬te, otorgadora de alegría, culminadora, gala de la noche, reina de los astros, vestida de largo peplo, de sinuosa carrera, sapientísima doncella. Ven, pues, bienaventurada, benévola, bello astro, refulgente por tu luz, y salva, donce¬lla, a tus jóvenes suplicantes.

Given the current context of Pandemic, in which Democracy must prevail, the people, in the case of Brazil, are the ones who decide how to conduct prevention against COVID-19. However, most Brazilians, regardless of their social class, do not assume responsibilities. If the majority's decisions work out, that's fine. But if it does not result in anything, the same ones that fostered the will of the people, will encourage the search for a scapegoat. They will need a culprit to assume their mistakes. In Brazil, the law of the strongest prevails! The strongest physically, financially, most well connected, the one with the most followers on social networks, the one who wears the most expensive clothes, the one with the best health conditions, the one with the most prestige, the one who exercises influence traffic, what it has a better structured life, those who have traveled more and also those considered more intelligent and maintain the monopoly of knowledge, and everything else. They have the privilege in Brazil to transfer responsibilities to the weakest and choose to blame for their mistakes. BEFORE THIS CONTEXT, I PREFER TO ASSUME RESPONSIBILITY WITH ME EVEN AND I SAVE HIMSELF AT HOME, EVEN WITHOUT ANY RIGHT TO RESOURCES OFFERED BY THE GOVERNMENT, WITHOUT BEING ABLE TO WORK AND WITHOUT MEANS OF SEARCHING FOR MY NEEDS. I will not agree with the will of the People, but with what I am sure is important in the preservation of Health and Life.

Spatia Invisibilia

buttermilk, whey: an important food for antimicrobial, antiviral and immunomodulation activities

.

The fact is that Brazil, at all social and cultural levels, has appropriated (common practice in Brazil to replace forms of robbery, robbery and theft) of everything that history has discarded. Everything that resulted in human and conscience errors and losses, Brazil appropriated. Thus, historical tragedies have been reviewed and practiced with intellectual and ignorant arguments as justifications and motivations in decision making in all contexts. "Appropriate", became in Brazil, a term that replaces the practice of thieves of material goods, copyright, and everything else. Taking ownership of Souls and Spirits is a goal that I wish to keep away from me.

vampires traverse space, flow through simulacra.

MUSA MEA

En ce moment

je pense au surréalisme, à André Breton devant des mots lâches sans temps de réflexion préalable.  Écriture automatique, dans ce cas, mots déclaratoires du gouvernement.

MONICA BELLUCCI - MAGRITTE D'HONNEUR 👏👏👏👏👏👏👏👏👏

👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏

https://www.instagram.com/tv/B8DvGxvCOoU/?igshid=13118m8tnre8k

https://www.instagram.com/p/B7S7xVAHCly/?igshid=175jvm033dode

Shamil

Arte , Política, Religião, Publicidade e Livre Abítrio

A relação entre Arte, Política, Religião e Publicidade produzem como é visível na História, quimeras que persistem no tempo. Nenhuma das tragicas demonstrações foram suficientes para comprovar, quão retrogrados são, pactos e conformidades nesta relação. Implicita ou explicitamente, essas quimeras se manifestam e tomam a Arte como ferramenta, instrumento de controle das liberdades,  ou sufocam, aniquilam seus preceitos de harmonia e composição da diversidade produzidas pela Natureza. Não cabe a Arte, nem a Cultura posicionamentos imperativos, nem tão pouco as rédeas ideologicas do Estado ou de grupos de interesses comuns como Partidos e Igrejas, independente das crenças, crendices, vontades, desejos de Artistas, profissionais e Linguagens das Artes.

Art, Politics, Religion, Advertising and Free Will

The relationship between Art, Politics, Religion and Advertising produces, as is visible in history, chimeras that persist in time.  None of the tragic demonstrations were enough to prove, how backward they are, pacts and conformities in this relationship.  Implicitly or explicitly, these chimeras manifest themselves and take Art as a tool, an instrument for controlling freedoms, or stifle, annihilate their precepts of harmony and the composition of diversity produced by Nature.  It is not up to Art, nor to Culture imperative positions, nor the ideological reins of the State or of common interest groups such as Parties and Churches, regardless of the beliefs, beliefs, desires, desires of Artists, professionals and Languages ​​of the Arts.

Ver "18. Estrela é Lua Nova - Coro da OSESP" en YouTube

https://youtu.be/thCI8Ew7RjA

Merry Christmas and a HAPPY NEW YEAR with the Universe in Harmony.

Dia de São Francisco de Assis | 4 de outubro - Calendarr

https://www.calendarr.com/brasil/dia-de-sao-francisco-de-assis/

Spatia Invisibilia

Sunglasses

Cat

Light

https://youtu.be/v99CyDfWsnw

Marcelo Peres

ABSTRACTION (updated edition)

Completion Text of the Postgraduate Discipline (1st Sem. 2019).
ECA USP Visual Arts: Painting in Question
Subject: CAP5872
Concentration Area: 27159
Responsible Lecturer: Marco Garaude Giannotti

ABSTRACTION

Marcelo Rodrigues Peres

       The Arts over time remain in constant restarts. In the reflection of its actuality, it refers to the past and recreates the present, as reaffirmation or rupture. Among the artistic languages, Painting remains a timeless expression. From its beginnings to the present through its elements, the intention to represent the unseen holds in many ways, with or without scientific foundations. Art and Science are autonomous, but contribute to the understanding of what we can understand as reality. The Renaissance rescued Greco-Roman canons, the Baroque emerged as a break. Neoclassicism, rescued the Renaissance and Greco-Roman concepts, then Impressionism was based on science, and Cubism plus the vanguards of the early twentieth century once again broke with the past and retain branches of their foundations until then.

       Reality as we perceive, feel and represent it is far beyond the possibilities of perception. A multidimensional universe reveals itself with the advances of astronomy, thus contradicting our conception of space and time, amid fragments of fragments that are interconnected by algorithms. In this context of artificial intelligence, what is Art proposed through Painting in this context? Possibly a mere illustration of this virtual reality, where colors are binary codes that give us a certain feel used for a specific purpose on the web.

       A challenge is projected: to determine the artistic function of Painting and Art in the virtual environment. Color no longer as pigments or dyes fixed by binders on supports made of wood, paper or fabric, but as algorithmic codes, which in origin are abstractions. The Work of Art is subject to electronic and digital devices as a support or mechanism of advertising projections in mobile shop windows.

     Perception is the main phenomenon that determines senses and meanings whether reality is scientific or not. Among the artistic languages, Painting, due to its traditional practice, stars in this analysis, to which I refer myself to Leonardo da Vinci, in his Treatise on Painting, in which, amid the Renaissance canons, he affirms that a person looking at a surface like a Rock and visualize a battle scene is an Artist. This brought me to abstraction, or a sense of abstraction amid the concepts of the time. In my view, formulating images and shapes across a surface that apparently forms at random from nature determines an artistic sense promoted by mechanisms of perception, such as Gestalt. In the twentieth century, after centuries of aesthetic debate, Merleau-Ponty states that we are not the ones who look at Art, but the Art that looks at us. This is another phenomenon of perception which, connected with Leonardo's statement, reveals that a priori, Art as a sense that materializes through the Work, therefore an Abstraction itself with certain forms.

Throughout the ages, technologies, processes and materials have been developed to make visible artistic concepts and conceptions through different world languages, specific to each era and sociocultural contexts. To this end, an intrinsic "sense" expands and provides symbolic meanings or not. Thus configures the Poetic phenomenon, which surpasses the material representation, ie the phenomenon of perception.

     In the Work below, prepared by Sequences performed by repeated gestures from reflections on the possibilities of connection forms. The straight line as a geometric expression is intended as an interpretative representation, filling spaces through compositions that suggest hatches to determine color planes and provide movement of the look or retina in order to achieve set synthesis. A graphical representation of defragmentation, in the face of the tangle of information and fragments contained and stored in the Web system. The starting point is a random straight line in space, which, because it does not exist in nature, suggests something that I define as fictionality. starting point for an undetermined composition that suggests itself during development. The geometric forms emerged as a challenge, as it contrasts with the frantic gestures of abstract expressionism, as well as the possibility of representing the mathematical content of the digital languages ​​that contextualize the present. The color, in view of its optical nature in the scientific field and its semantic use, in the midst of the development of the artistic process, assumes the foreground position in the composition, because lines or strokes build the color set. From the apparent disorder of the traces, the color organizes the pictorial elements, a unifying element, link in the expression of the whole of the Work.

Image: 

Marcelo Peres.

Title: Sequence IV.

Technique: Acrylic without screen.

95x66 Cms.

Year: 2018

       Art demands for itself an existence through its elements and conceptual autonomy, needs to materialize, to become visible through the matter that has been determining the 21st century: Mathematical binary codes.

     In contemporary times the digital universe contextualizes artistic productions. Computer resources are introduced into artistic poetics more frequently as robotics and artificial intelligence technologies develop. Given this finding, electronic devices assume the supporting role of Art regardless of the degree of technical interactivity. The Renaissance window resumes its function in the 21st century with the computer screen and cell phones among others.

     The semantic definitions of Art are self-regulating through social networks without the need for prior knowledge, just the opinion of individual taste in the classification of what is good / bad and right / wrong. Ethical judgments submit to the rhetorical and sophistic power of opinion formation.

     Truths are defined by the number of “followers”, “likes” and “shares” based on individual beliefs without clear confirmations of the information issued. In the meantime, concepts are defined based on the manipulation of data, interpretations without knowledge base and without due care.

     Artistic poetics today are of another nature, are determined by algorithmic commands and are composed full interactivity. They constitute an inverse movement of fragmentation that dominated the twentieth century. The possibilities for reordering are widened and Art becomes accessible and democratized in globalized concepts.
______________

ABSTRACTION

Completion Text of the Postgraduate Discipline (1st Sem. 2019).
ECA USP Visual Arts: Painting in Question
Orientation: Marco Garaude Giannotti


ABSTRACTION

Marcelo Rodrigues Peres

       The Arts over time remain in constant restarts. In the reflection of its actuality, it refers to the past and recreates the present, as reaffirmation or rupture. Among the artistic languages, Painting remains a timeless expression. From its beginnings to the present through its elements, the intention to represent the unseen holds in many ways, with or without scientific foundations. Art and Science are autonomous, but contribute to the understanding and understanding of what we can understand as reality. The Renaissance rescued Greco-Roman canons, the Baroque emerged as a break. Neo Classicism, rescued the Renaissance, Impressionism was based on science, then Cubism plus the Vanguards of the early twentieth century broke once again with the past and maintain ramifications of their foundations until then.
       Reality as we perceive, feel and represent it is far beyond the possibilities of perception. A multidimensional universe reveals itself with the advances of astronomy, thus contradicting our conception of space and time, amid fragments of fragments that are interconnected by algorithms. In this context of artificial intelligence, what is Painting in Art proposed for? Possibly a mere illustration of this virtual reality, where colors are binary codes that give us a certain feel used for a specific purpose on the web.
       A challenge is projected: to determine the artistic function of Painting in the virtual environment, the main element that characterizes it is Color. No longer as a pigment or dye fixed by binders on wood, paper or fabric supports, but as algorithmic codes, which in origin are abstractions. The Work of Art is subject to electronic and digital devices as a support or mechanism of advertising projections in mobile shop windows.
       In the Work below, prepared by Sequences performed by repeated gestures from reflections on the possibilities of connection forms. The straight line as a geometric expression is intended as an interpretative representation, filling spaces through compositions that suggest hatches to determine color planes and provide movement of the look or retina in order to achieve set synthesis. A graphical representation of defragmentation, facing the tangle of information and fragments contained and stored in the Web system.

Image: Author: Marcelo Peres.
Title: Sequence IV. T
 Acrylic without screen. 95x66 Cms. Year: 2018

       Art demands for itself an existence through its elements and conceptual autonomy, and Painting as Color needs to materialize, to become visible through the matter that has determined the 21st century: Mathematical binary codes. Algorithms.

Sao Paulo, July 16, 2019

GREEN

Comparison between the beginning of the 20th century and the 21st century

The passage from century to century, is an important moment in the collective unconscious. Something needs to stay in the past, something needs to arise. A new world awakens expectations.

The scientific vibration at the end of the nineteenth century expands the horizons for previously impossible possibilities, knowledge expands and brings solutions for life.

In that context Cezanne is interpreting the world through elementary forms and suggests a new reality.

Science produces approaches. The maritime and commercial expansion of the fourteenth and fifteenth centuries began a process of cultural connection that materialized with the new discoveries of the sciences. Distances became shorter. Thus, the turn of the century began a period of transformations, innovations and expectations of scientific progress in which Cubism, like other artistic movements, springs from the need to break with sociocultural values ​​overcome and the illusory perception and understanding of reality . Other fields are opened for the understanding and interpretation of objects through infinite points of view on reality.

As the end of the nineteenth century, the end of the twentieth century generated expectations. The discoveries of the sciences evolved the technologies and the distances were undone with the mass media. Knowledge spread, approached, provided contacts between people from all countries, regions, cultures and ways of life through the ultimate splitting of papyri, engraving, illuminations and the press: the Internet.

Knowledge and access to information available to all.

The passage from the nineteenth century to the twentieth century extended and extended and noted possibilities in the process of globalization, which took shape and form fully in the passage of the twentieth century to the XXI.

Thus we arrive in the present day with a process of globalization that expands beyond space, time, matter and the unconscious.

In the comparison between the two passages of centuries, one element in common: perception. At the beginning of the twentieth century the gaze fragmented and at the beginning of the 21st century, the impossibility of defragmentation.

Other fields open up for the understanding and interpretation of objects and reality.

Marcelo Peres

Seul Alone

ARTEM

hoc spatio invisibilis inter nos

finibus spatii aetherium

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Marcelo Peres

Color off

Look, the elements of Art used as political representations by opposition. I want to remember that elements of the Art were used as political references by the Nazis. In Brazil this resource has been used as an Opposition. Art is self-transformation tool, in no hypothesis political attack tool. Simply in Brazil, every color theory studied over the centuries has been misrepresented to be used as an ideological weapon by anti-government policies. Brazil has been recreating the meanings of colors without considering its real materiality. What will I do, an Artist of traces and colors after this re-creation, and that every color I use to express myself is interpreted, according to political expediency? Please leave the colors to us Artists, use the tools of your own activities of interest. Do not imprison us with concepts without foundation. Do not use the elements of Art to hide your incompetence. This only demonstrates what justified the defeat in the polls of PT rhetoric and associates. Play with the role of yourselves without appropriating what you do not know!

Merry Christmas, happy holidays.

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https://thisinvisiblespacebetweenwe.blogspot.com/

Sequence X

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Buon compleanno my dear Monica Bellucci

https://www.facebook.com/Territory-Ethereal-512826695777589/

Abstraction

https://drive.google.com/file/d/1735uouQsEz2J6B3FJHUhnh99srVQBJ4e/view?usp=drivesdk

ma come può l'amore essere amore se non va oltre l'immaginazione?

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