Seul(e) Alone

Friday, 25 September 2020

VASARI, Giorgio

 Quanto buona opera fa la natura, fra le infinite buone che ella ne fa, quando ella manda uomini al mondo, che universalmente siano nelle fabbriche di alto ingegno e che quelle rendino sicure di fortezza e murate con diligenza, le quali d'ogni tempo a chi nasce faccino vero testimonio de la generosità de' principi magnanimi, con lo abbellire, onorare e nobilitare i siti, dove elle sono? Con ciò sia cosa che gli scritti, quando sí fatte cose adducono per testimonio, sono piú carichi di verità e di maggiore ornamento pieni. Inoltre elle ci difendono da la furia de gli inimici, danno conforto all'occhio nel vederle, essendo di somma bellezza ornate, e ci fanno infinite comodità, consumandosi dentro a quelle, se non piú, la metade almeno della vita nostra. Sono ancora necessarie per le povere genti, le quali, in quelle lavorando, si guadagnano il viver loro, senza che gli squadratori, gli scarpellini, i muratori et i legnaiuoli operando sotto nome d'un solo, fanno che si dà fama a infiniti. Laonde, concorrendo gli artefici per gara della professione, diventano rari ne gli esercizii e tali eterni per fama, che, come un lucentissimo sole posto sopra la terra, circondano il mondo ornatissimo e pieno di bellezza. Perché la gran madre nostra, del seme de' suoi geni|tori con l'opere di loro stessi, fanno diventare di rustica, pulita, e di rozza, leggiadra e colta, e con le virtú di lei medesima infinitamente crescere de grado. Laonde il cielo, che gli intelletti forma nel nascere, veggendo quegli sí belle fabbriche cavarsi della fantasia, gioisce nel vedere esprimere i concetti delle menti divine et i grandissimi intelletti de gli uomini. E nel vero, quando tali ingegni vengono al mondo, e tali e tanti benefici gli fanno, ha grandissimo torto la crudeltà della morte a impedirli il corso della vita. Ancora che non potrà ella però già mai con ogni sua invidia troncare la gloria e la fama di quegli eccellenti, consecrati alla eternità; la onorata memoria de' quali (mercé degli scrittori) si andrà continuamente perpetuando di lingua in lingua, a dispetto della morte e del tempo;

Thursday, 17 September 2020

Il Cantico di Frate Sole o Delle Creature

 


Altissimu, onnipotente bon Signore, 

Tue so' le laude, la gloria e l'honore et onne benedictione. 

Ad Te solo, Altissimo, se konfano, 

et nullu homo ène dignu te mentovare. 

Laudato sie, mi' Signore cum tucte le Tue creature,

spetialmente messor lo frate Sole, 

lo qual è iorno, et allumini noi per lui. 

Et ellu è bellu e radiante cum grande splendore: 

de Te, Altissimo, porta significatione. 

Laudato si', mi Siignore, per sora Luna e le stelle: 

il celu l'ài formate clarite et pretiose et belle. 

Laudato si', mi' Signore, per frate Vento 

et per aere et nubilo et sereno et onne tempo, 

per lo quale, a le Tue creature dài sustentamento. 

Laudato si', mi Signore, per sor'Acqua. 

la quale è multo utile et humile et pretiosa et casta. 

Laudato si', mi Signore, per frate Focu, 

per lo quale ennallumini la nocte: 

ed ello è bello et iocundo et robustoso et forte. 

Laudato si', mi Signore, per sora nostra matre Terra, 

la quale ne sustenta et governa, 

et produce diversi fructi con coloriti fior et herba. 

Laudato si', mi Signore, per quelli che perdonano per lo Tuo amore 

et sostengono infermitate et tribulatione. 

Beati quelli ke 'l sosterranno in pace, 

ka da Te, Altissimo, sirano incoronati. 

Laudato si' mi Signore, per sora nostra Morte corporale, 

da la quale nullu homo vivente pò skappare: 

guai a quelli ke morrano ne le peccata mortali; 

beati quelli ke trovarà ne le Tue sanctissime voluntati, 

ka la morte secunda no 'l farrà male. 

Laudate et benedicete mi Signore et rengratiate 

e serviateli cum grande humilitate.

San Francesco d'Assisi 

Wednesday, 19 August 2020

VASARI, Giorgio.

È certo i nostri vecchi, come amorevoli de l'arte, trovarono il tirarli per via di linee in prospettiva, che non si poteva fare prima, pure li ridussero tanto innanzi, che oggi s'ha la vera maestria di farli. E quegli che li biasimano (dico delli artefici nostri) sono quelli che non li sanno fare, e che, per alzare se stessi, vanno abassando altrui.

Saturday, 15 August 2020

Saturday, 8 August 2020

Saturday, 25 July 2020

ALBERTI, Leon Bautista.

"Por esto exhorto yo á los Pintores aplicados á que estudien los Poetas y Retóricos, como tambien otros varios autores eruditos hasta familiarizarse con ellos, pues de unos ingenios tan cultivados podrán sacar muchas noticias pro vechosas, con las cuales adornarán y hermosearán sus com  posiciones, que es lo que mas acredita una obra de Pintura."

Sunday, 19 July 2020

DA VINCI, Leonardo.

"Las medidas universales del cuerpo se han de tomar por lo largo, no por lo grueso; porque la cosa mas maravillosa y laudable de las obras de la naturaleza consiste en que jamas se parece exactamente una persona á otra. "

Monday, 6 July 2020

CARDANO, Girolamo.


Vaga nell'incertezza chi non sa se ciò che cerca può essere trovato. La speranza alimenta gli uomini, sostiene la mancanza di mezzi, rende dolci i lavori, piacevoli gli errori; la disperazione rovina e distrugge tutte le cose.

Sunday, 5 July 2020

Sunday, 28 June 2020

AGRIPPA, Cornelio.

"...y sería un absurdo decir que todos los pequeños cuerpos imperfectos, y las pequeñas partes del mundo, y todos los animales más despreciables, las moscas y los gusanos son sujetos dignos de vida, que poseen la vida, que tienen un alma, y que el mundo en su totalidad, que es el cuerpo
más perfecto y total, y más noble de todos, los tiene vida ni alma. No es menos irrazonable proponer que los cielos, las estrellas y los elementos que dan plenamente la vida y el alma a cada cosa en particular, estén privados de la vida y del alma, y que una planta, o el árbol más pequeño, sea una condición más noble que el cielo, las estrellas y los elementos que, según el orden de la naturaleza, no tienen otras causas que ellos mismos. Nadie puede decir, a menos que esté privado de razón, que la tierra y el agua no viven, cuando por sus propias reservas producen árboles, plantas y animales sin cuenta, los vivifican, nutren y hacen crecer. Esto es tan patente en las cosas que derivan de sí mismas y en las que carecen de semillas corporales. Los elementos no podrían producir ni nutrir estas clases de cuerpos vivientes si no estuviesen vivos. Algunos filósofos tal vez digan que estas clases de cuerpos vivientes son producidos por los influjos de las almas celestes, y no por el alma de la tierra. Los platónicos les responden que un accidente no puede producir una sustancia, a menos que no sea como un instrumento subordinado a la sustancia más próxima, porque el instrumento alejado del artista no recibe movimiento a los efectos del arte. De modo parecido, estas influencias celestes, al ser determinados accidentes bien alejados de sus sustancias vitales, o de la vida misma, no producirán sustancias vitales en los cuerpos inferiores de este mundo inferior. Mercurio, en su Tratado sobre el Común
dice que todo lo existente en el mundo se mueve por crecimiento y decrecimiento. Todo lo que tiene movimiento tiene, por ello, vida, y como todas las cosas tienen movimiento, igual ocurre con la tierra, y sobre todo con el movimiento de generación y alteración, y ella es parecidamente viviente. Si alguien duda de que los cielos vivan, dice Teofrastro, no habrá que considerarlo filósofo; y quien niegue que el cielo está animado, de modo que su motor no es su forma, destruye los fundamentos de toda la filosofía. Debe, pues, sostenerse que el mundo vive, que tiene alma y juicio, ya que da vida a las plantas que no se producen por medio de la semilla, y da sentido a los anímales que no se engendran por copulación."

Sunday, 21 June 2020

HUMANISTICA

"Che cosa è finalmente la belezza del corpo? Una certa vivacitá di attione, & una certa gratia, che risplende nella istessa cosa bela per l'influsso della idea. Questo fulgore non descende  in  quello, sin che la materia non sia preparata piú, che sia  possibile. (...) Percioque bisogna, che tutti membri del corpo habíammo il suo sito naturale.
" GALLUCCI, Paolo. Libro Quinto in  DURERO, Alberto. Della Simmetría dei Corpi Humani 

Friday, 19 June 2020

Tuesday, 16 June 2020

Michelangiolo Buonarroti

"Amore è un concetto di bellezza immaginata o vista dentro al core, amica di virtute e gentilezza."

Thursday, 11 June 2020

Saturday, 6 June 2020

I believed until then that I would go through this life without being obliged to give it to a dictatorial government. In view of the dissemination of fragmented data released about the pandemic, my feelings indicate that there is a policy by the federal government to implement a Dictatorship in Brazil. The people need to speak out and against this setback policy, which is using its own democracy to justify its decisions. Down with the Dictatorship!

Brazil managed to avoid the dictatorship of the previous government, and in due course the Bolsonaro government managed to elect itself with the demagogic discourse of democracy.  Likewise, the PT, in due course, waits for the moment to place itself on the political scene along the lines of the Bolsonaro government.  What differentiates between the policies of the current federal government and the previous one is the advertising clothes.  One used socialist discourse, the other used democratic discourse to impose despotisms.  The Brazilian is facing both sides of the same coin in the federal public administration.  We cannot return to the previous policy and we cannot maintain the current policy!

Saturday, 23 May 2020

“Ma è davvero scomodo e irragionevole voler porre un limite alle opere degli altri e, come diceva Cícero, voler pretendere la mediocrità da ciò che è meglio tanto più grande è."

Tuesday, 12 May 2020

Monday, 11 May 2020

Sunday, 26 April 2020

MUSA



A LAS MUSAS

Hijas de Mnemósine y del resonante Zeus, Musas Piérides, afamadas, gloriosas, muy gratas para los mortales que visitáis, multiformes, generadoras del irreprochable valor que supone toda instrucción. Nutridoras del alma, ordenadoras del pensamiento, soberanas conductoras de la mente vigorosa. Vosotras, que disteis a conocer a los mortales los misterios rituales, Clío, Euterpe, Talía, Melpómene, Terpsícore, Erato, Polimnia, Urania, juntamente con la madre Calíope y la poderosa diosa Hagne . Mas, ea, venid, por favor, para vuestros iniciados, multicolores y castas, aportando una emulación gloriosa, deseada y por muchos celebrada.


Tuesday, 21 April 2020

Monday, 20 April 2020

With what words to evaluate a public demonstration, which claims a Dictatorial government, which would use force to suppress demonstrations like this one? A demonstration that used Democracy to demand Dictatorship. With what words?

A people that dreams of entering a war as a solution to internal political problems.  Faced with quarantine, he decided to opt for a dictatorship in order not to join the fight against the covid-19.  What can you expect from such a country?

Tuesday, 14 April 2020

MUSA



A LAS ESTRELLAS

Invoco a la sagrada luz de los Astros celestiales, al par que conjuro, con voces rituales, a las sagradas deidades. Estrellas celestiales, amadas hijas de la negra Noche, que se mueve en vertiginosos remolinos en torno al trono, reflectores de luz, ardientes, perennes engendradoras de todo, detentadoras del destino, porque son prenunciadoras de toda resolución suya, al cuidar del sendero que los dio¬ses reservan a los hombres mortales; vigilantes de las zonas de siete luces, erráticas por el firmamento; celestiales y terrenales, veloces como la llama, de perenne solidez, que proyectan su luz sobre el manto sombrío de la noche, bri¬llando con destellos y se mantienen alegres en vigilia. Ve¬nid, pues, a las tareas que requieren un gran conocimiento de nuestro piadoso ritual, realizando un noble trayecto pa¬ra una empresa gloriosa. Invoco a la sagrada luz de los Astros celestiales, al par que conjuro, con voces rituales, a las sagradas deidades. Estrellas celestiales, amadas hijas de la negra Noche, que se mueven en vertiginosos remolinos en torno al trono.

AL SOL

Escúchame, afortunado, que posees una mirada eterna y omnividente, Titán de áureo resplandor, Hiperión , luz celestial, autoengendrado, infatigable, grato rostro de los seres vivos, creador de la Aurora, a la derecha y a la iz¬quierda de la Noche; que regulas la temperatura de las estaciones, saltando con tus cuadrúpedos. Brioso, silbante, inflamado, de rostro alegre, auriga, que realizas un trayecto en vertiginosos círculos, guía que convoca a los piadosos; furibundo para los impíos, poseedor de áurea lira, que trazas el armonioso sendero del universo, rector de nobles empresas, joven nutridor de las estaciones, soberano del universo, de agudo soplido, raudo como centella, de movimientos circulares, generador de luz, multiforme, vivificante, fértil Peán. Eterno, puro, padre del tiempo, inmortal Zeus; apacible, visible a todos, mirada envolvente del universo, cuando te extingues y cuando iluminas con brillantes y hermosos rayos, guardián de la justicia, amante del agua, señor del mundo, guardián de la buena fe, supremo por siempre, socorredor de todos, ojo de la justi¬cia, luz de la vida. Auriga, que impulsas tu cuadriga con el restallante látigo. Escucha, pues, mis palabras y descubre a tus iniciados la dulzura de la vida.

A LA LUNA

Escucha, regia diosa, generadora de luz, divina Sele¬ne, Luna de cuernos de toro, que, noctámbula por las rutas del aire, a lo largo de la noche, sostienes una antor¬cha; doncella, hermosa estrella, Luna, creciente y menguan¬te, hembra y macho ; de sólido resplandor, que gustas de los caballos, madre del tiempo, portadora de frutos, ambarina, de fuerte carácter, relumbrante en medio de la noche, omnividente en vigilia, pujante entre bellos astros. Complaciente con la paz y la felicidad de la noche, brillan¬te, otorgadora de alegría, culminadora, gala de la noche, reina de los astros, vestida de largo peplo, de sinuosa carrera, sapientísima doncella. Ven, pues, bienaventurada, benévola, bello astro, refulgente por tu luz, y salva, donce¬lla, a tus jóvenes suplicantes.


Wednesday, 8 April 2020

Given the current context of Pandemic, in which Democracy must prevail, the people, in the case of Brazil, are the ones who decide how to conduct prevention against COVID-19. However, most Brazilians, regardless of their social class, do not assume responsibilities. If the majority's decisions work out, that's fine. But if it does not result in anything, the same ones that fostered the will of the people, will encourage the search for a scapegoat. They will need a culprit to assume their mistakes. In Brazil, the law of the strongest prevails! The strongest physically, financially, most well connected, the one with the most followers on social networks, the one who wears the most expensive clothes, the one with the best health conditions, the one with the most prestige, the one who exercises influence traffic, what it has a better structured life, those who have traveled more and also those considered more intelligent and maintain the monopoly of knowledge, and everything else. They have the privilege in Brazil to transfer responsibilities to the weakest and choose to blame for their mistakes. BEFORE THIS CONTEXT, I PREFER TO ASSUME RESPONSIBILITY WITH ME EVEN AND I SAVE HIMSELF AT HOME, EVEN WITHOUT ANY RIGHT TO RESOURCES OFFERED BY THE GOVERNMENT, WITHOUT BEING ABLE TO WORK AND WITHOUT MEANS OF SEARCHING FOR MY NEEDS. I will not agree with the will of the People, but with what I am sure is important in the preservation of Health and Life.




Tuesday, 7 April 2020

Thursday, 20 February 2020

Sunday, 9 February 2020

En ce moment

je pense au surréalisme, à André Breton devant des mots lâches sans temps de réflexion préalable.  Écriture automatique, dans ce cas, mots déclaratoires du gouvernement.

Saturday, 1 February 2020

Saturday, 25 January 2020

Friday, 17 January 2020

Arte , Política, Religião, Publicidade e Livre Abítrio

A relação entre Arte, Política, Religião e Publicidade produzem como é visível na História, quimeras que persistem no tempo. Nenhuma das tragicas demonstrações foram suficientes para comprovar, quão retrogrados são, pactos e conformidades nesta relação. Implicita ou explicitamente, essas quimeras se manifestam e tomam a Arte como ferramenta, instrumento de controle das liberdades,  ou sufocam, aniquilam seus preceitos de harmonia e composição da diversidade produzidas pela Natureza. Não cabe a Arte, nem a Cultura posicionamentos imperativos, nem tão pouco as rédeas ideologicas do Estado ou de grupos de interesses comuns como Partidos e Igrejas, independente das crenças, crendices, vontades, desejos de Artistas, profissionais e Linguagens das Artes.

Art, Politics, Religion, Advertising and Free Will

The relationship between Art, Politics, Religion and Advertising produces, as is visible in history, chimeras that persist in time.  None of the tragic demonstrations were enough to prove, how backward they are, pacts and conformities in this relationship.  Implicitly or explicitly, these chimeras manifest themselves and take Art as a tool, an instrument for controlling freedoms, or stifle, annihilate their precepts of harmony and the composition of diversity produced by Nature.  It is not up to Art, nor to Culture imperative positions, nor the ideological reins of the State or of common interest groups such as Parties and Churches, regardless of the beliefs, beliefs, desires, desires of Artists, professionals and Languages ​​of the Arts.

Wednesday, 18 September 2019

Sunday, 4 August 2019

Monday, 29 July 2019

ABSTRACTION (updated edition)

Completion Text of the Postgraduate Discipline (1st Sem. 2019).
ECA USP Visual Arts: Painting in Question
Subject: CAP5872
Concentration Area: 27159
Responsible Lecturer: Marco Garaude Giannotti

ABSTRACTION

Marcelo Rodrigues Peres

       The Arts over time remain in constant restarts. In the reflection of its actuality, it refers to the past and recreates the present, as reaffirmation or rupture. Among the artistic languages, Painting remains a timeless expression. From its beginnings to the present through its elements, the intention to represent the unseen holds in many ways, with or without scientific foundations. Art and Science are autonomous, but contribute to the understanding of what we can understand as reality. The Renaissance rescued Greco-Roman canons, the Baroque emerged as a break. Neoclassicism, rescued the Renaissance and Greco-Roman concepts, then Impressionism was based on science, and Cubism plus the vanguards of the early twentieth century once again broke with the past and retain branches of their foundations until then.
       Reality as we perceive, feel and represent it is far beyond the possibilities of perception. A multidimensional universe reveals itself with the advances of astronomy, thus contradicting our conception of space and time, amid fragments of fragments that are interconnected by algorithms. In this context of artificial intelligence, what is Art proposed through Painting in this context? Possibly a mere illustration of this virtual reality, where colors are binary codes that give us a certain feel used for a specific purpose on the web.
       A challenge is projected: to determine the artistic function of Painting and Art in the virtual environment. Color no longer as pigments or dyes fixed by binders on supports made of wood, paper or fabric, but as algorithmic codes, which in origin are abstractions. The Work of Art is subject to electronic and digital devices as a support or mechanism of advertising projections in mobile shop windows.
     Perception is the main phenomenon that determines senses and meanings whether reality is scientific or not. Among the artistic languages, Painting, due to its traditional practice, stars in this analysis, to which I refer myself to Leonardo da Vinci, in his Treatise on Painting, in which, amid the Renaissance canons, he affirms that a person looking at a surface like a Rock and visualize a battle scene is an Artist. This brought me to abstraction, or a sense of abstraction amid the concepts of the time. In my view, formulating images and shapes across a surface that apparently forms at random from nature determines an artistic sense promoted by mechanisms of perception, such as Gestalt. In the twentieth century, after centuries of aesthetic debate, Merleau-Ponty states that we are not the ones who look at Art, but the Art that looks at us. This is another phenomenon of perception which, connected with Leonardo's statement, reveals that a priori, Art as a sense that materializes through the Work, therefore an Abstraction itself with certain forms.
Throughout the ages, technologies, processes and materials have been developed to make visible artistic concepts and conceptions through different world languages, specific to each era and sociocultural contexts. To this end, an intrinsic "sense" expands and provides symbolic meanings or not. Thus configures the Poetic phenomenon, which surpasses the material representation, ie the phenomenon of perception.
     In the Work below, prepared by Sequences performed by repeated gestures from reflections on the possibilities of connection forms. The straight line as a geometric expression is intended as an interpretative representation, filling spaces through compositions that suggest hatches to determine color planes and provide movement of the look or retina in order to achieve set synthesis. A graphical representation of defragmentation, in the face of the tangle of information and fragments contained and stored in the Web system. The starting point is a random straight line in space, which, because it does not exist in nature, suggests something that I define as fictionality. starting point for an undetermined composition that suggests itself during development. The geometric forms emerged as a challenge, as it contrasts with the frantic gestures of abstract expressionism, as well as the possibility of representing the mathematical content of the digital languages ​​that contextualize the present. The color, in view of its optical nature in the scientific field and its semantic use, in the midst of the development of the artistic process, assumes the foreground position in the composition, because lines or strokes build the color set. From the apparent disorder of the traces, the color organizes the pictorial elements, a unifying element, link in the expression of the whole of the Work.

Image: 
Marcelo Peres.
Title: Sequence IV.
Technique: Acrylic without screen.
95x66 Cms.
Year: 2018
       Art demands for itself an existence through its elements and conceptual autonomy, needs to materialize, to become visible through the matter that has been determining the 21st century: Mathematical binary codes.
     In contemporary times the digital universe contextualizes artistic productions. Computer resources are introduced into artistic poetics more frequently as robotics and artificial intelligence technologies develop. Given this finding, electronic devices assume the supporting role of Art regardless of the degree of technical interactivity. The Renaissance window resumes its function in the 21st century with the computer screen and cell phones among others.
     The semantic definitions of Art are self-regulating through social networks without the need for prior knowledge, just the opinion of individual taste in the classification of what is good / bad and right / wrong. Ethical judgments submit to the rhetorical and sophistic power of opinion formation.
     Truths are defined by the number of “followers”, “likes” and “shares” based on individual beliefs without clear confirmations of the information issued. In the meantime, concepts are defined based on the manipulation of data, interpretations without knowledge base and without due care.
     Artistic poetics today are of another nature, are determined by algorithmic commands and are composed full interactivity. They constitute an inverse movement of fragmentation that dominated the twentieth century. The possibilities for reordering are widened and Art becomes accessible and democratized in globalized concepts.
______________

Wednesday, 17 July 2019

ABSTRACTION

Completion Text of the Postgraduate Discipline (1st Sem. 2019).
ECA USP Visual Arts: Painting in Question
Orientation: Marco Garaude Giannotti


ABSTRACTION

Marcelo Rodrigues Peres

       The Arts over time remain in constant restarts. In the reflection of its actuality, it refers to the past and recreates the present, as reaffirmation or rupture. Among the artistic languages, Painting remains a timeless expression. From its beginnings to the present through its elements, the intention to represent the unseen holds in many ways, with or without scientific foundations. Art and Science are autonomous, but contribute to the understanding and understanding of what we can understand as reality. The Renaissance rescued Greco-Roman canons, the Baroque emerged as a break. Neo Classicism, rescued the Renaissance, Impressionism was based on science, then Cubism plus the Vanguards of the early twentieth century broke once again with the past and maintain ramifications of their foundations until then.
       Reality as we perceive, feel and represent it is far beyond the possibilities of perception. A multidimensional universe reveals itself with the advances of astronomy, thus contradicting our conception of space and time, amid fragments of fragments that are interconnected by algorithms. In this context of artificial intelligence, what is Painting in Art proposed for? Possibly a mere illustration of this virtual reality, where colors are binary codes that give us a certain feel used for a specific purpose on the web.
       A challenge is projected: to determine the artistic function of Painting in the virtual environment, the main element that characterizes it is Color. No longer as a pigment or dye fixed by binders on wood, paper or fabric supports, but as algorithmic codes, which in origin are abstractions. The Work of Art is subject to electronic and digital devices as a support or mechanism of advertising projections in mobile shop windows.
       In the Work below, prepared by Sequences performed by repeated gestures from reflections on the possibilities of connection forms. The straight line as a geometric expression is intended as an interpretative representation, filling spaces through compositions that suggest hatches to determine color planes and provide movement of the look or retina in order to achieve set synthesis. A graphical representation of defragmentation, facing the tangle of information and fragments contained and stored in the Web system.

Image: Author: Marcelo Peres.
Title: Sequence IV. T
 Acrylic without screen. 95x66 Cms. Year: 2018

       Art demands for itself an existence through its elements and conceptual autonomy, and Painting as Color needs to materialize, to become visible through the matter that has determined the 21st century: Mathematical binary codes. Algorithms.

Sao Paulo, July 16, 2019

Tuesday, 25 June 2019

Comparison between the beginning of the 20th century and the 21st century

The passage from century to century, is an important moment in the collective unconscious. Something needs to stay in the past, something needs to arise. A new world awakens expectations.
The scientific vibration at the end of the nineteenth century expands the horizons for previously impossible possibilities, knowledge expands and brings solutions for life.
In that context Cezanne is interpreting the world through elementary forms and suggests a new reality.
Science produces approaches. The maritime and commercial expansion of the fourteenth and fifteenth centuries began a process of cultural connection that materialized with the new discoveries of the sciences. Distances became shorter. Thus, the turn of the century began a period of transformations, innovations and expectations of scientific progress in which Cubism, like other artistic movements, springs from the need to break with sociocultural values ​​overcome and the illusory perception and understanding of reality . Other fields are opened for the understanding and interpretation of objects through infinite points of view on reality.
As the end of the nineteenth century, the end of the twentieth century generated expectations. The discoveries of the sciences evolved the technologies and the distances were undone with the mass media. Knowledge spread, approached, provided contacts between people from all countries, regions, cultures and ways of life through the ultimate splitting of papyri, engraving, illuminations and the press: the Internet.
Knowledge and access to information available to all.
The passage from the nineteenth century to the twentieth century extended and extended and noted possibilities in the process of globalization, which took shape and form fully in the passage of the twentieth century to the XXI.
Thus we arrive in the present day with a process of globalization that expands beyond space, time, matter and the unconscious.
In the comparison between the two passages of centuries, one element in common: perception. At the beginning of the twentieth century the gaze fragmented and at the beginning of the 21st century, the impossibility of defragmentation.
Other fields open up for the understanding and interpretation of objects and reality.
Marcelo Peres

Thursday, 13 June 2019

The Intercept

With due respect for the work of The Intercept, in order to have good intentions in the dissemination of conversations between agents of justice, the dialogues should be accessible in full. The fact that they are being divulged in parts, makes clear intentions of blackmail in the use of this data. Because the parties are disclosed according to the reactions of the media and legal representations. For complaints to be accepted, these conversations need to prove that there has been forged evidence and manipulation of information. Everything disclosed so far question the agents of Justice, not the evidence. We need evidence that evidence has been tampered with! Do the data show this? Are they evident, because they have not been disclosed yet? With what interest only the parties are disclosed and not the totality of the data obtained?

Marcelo Peres

Monday, 3 June 2019

Fwd: Screenshot (3 de jun de 2019 16:24:58)



Marcelo Peres

---------- Forwarded message ---------
De:Marcelo Peres <artistaplasticovisual@gmail.com>
Date: seg, 3 de jun de 2019 16:25
Subject: Screenshot (3 de jun de 2019 16:24:58)
To: Marcelo Peres <artistaplasticovisual@gmail.com>




Marcelo Peres

Sunday, 2 June 2019

https://moscasdeboi.blogspot.com/2019/01/blog-post.html?spref=tw&m=1

blog for disclosure of people with the characteristics of Brazilians of the worst strain

Tuesday, 21 May 2019

Excelentíssimo Senhor Presidente da República do Brasil Jair Bolssonaro

Exporei minha opinião a Vossa Excelência, iniciarei minha  com Diplomacia e da mesma maneira concluirei minha explanação.

Sou um cidadão comum, igual a qualquer brasileiro. Artista Plastico com formação em Sociologia e sigo meu destino sozinho sem me deixar influenciar por nenhum meio. Eu tenho minhas próprias convicções, acredito que Vossa Excelência também.  Sou um Artista de carreira sem formação formal, academica e a margem, um Artista Marginal nos termos adequados, ou seja, um Artista fora do mercado das Artes Plasticas e Visuais. Minha formação religiosa é Católica Apostólica Romana, um admirador do Budhismo. Acredito em todas as religiões que expúrgam o fanatismo e a intolerância. Mais: um usuário de cannabis com propósito recreativo, um Maconheiro que espera que a descriminalização da Cannabis seja definida pelo Supremo Tribunal Federal, depois Regulamentada pelo Legislativo e por fim Aprovada pelo Executivo, pois o que é Criação Divina não pode estar sob o julgo humano.


Nunca antes das mobilizações em prol do impeachment da Ex Presidente Dilma, eu havia ouvido falar em Vosso nome. Diante as atuais circunstâncias econômicas e a incapacidade do governo anterior de amenizar essa crise e o desgaste político ideológico do Partido dos Trabalhadores, o Senhor se elegeu. Deixo claro que eu como individuo e cidadão comum me neguei terminantemente a aceitar o governo do PT por ser controlador e não aceitar os direitos individuais previstos na Constituição do Brasil e por incentivarem rixas sociais, ou seja colocar eleitor contra eleitor conforme os interesses do partido e mais, promover exclusão social contra seus adversários. Não souberam diferenciar o Público do Privado. Lula e Dilma não leram Maquiavel, se leram não entenderam. Sugiro que leia e reflita sobre a função do Príncipe. 

Me defino como Constitucionalista e acredito no Parlamentarismo tanto que assim votei no plebiscito. 

Deixo claro que lamento profudamente que haja no Brasil ex presidentes presos. Lamentável que seja assim.

Não votei em Vossa Excelência nem tão pouco em seu adversário, meu voto foi NULO e permanece assim até então. 

Acompanhando Vossa administração através de diversas mídias e redes sociais, sendo eu cético diante discursos políticos, devo dizer que Vossa Excelência, me valendo da mesma Liberdade de Expressão  que utiliza, vem sendo um tremendo "porra do caralho". Ao se utilizar das redes sociais como forma de se aproximar do eleitor se comporta como um "zé ruela", um "porra loca", um "caga pau" apesar de usar expressões que são comuns na boca do mesmo brasileiro que o critica. Vosso linguajar não se diferencia do linguajar utilizado no cotidiano brasileiro. Aquele que exige moralidade se isenta desta. O inferno está cheio de boas intenções.

Há questões que pertencem e são próprios de cada poder. Judiciário, Legislativo e Executivo. Assim para que a soberba e o despotismo sejam controlados e a Liberdade preservada: VIVA Montesquieu! VIVA Voltaire! 

Vejo como crime negligenciar a Filosofia.

Vejo como crime hediondo negligenciar as Artes.

Entendo que essa estratégia de fechar e torneira e depois abrí-la devagar não está sendo positiva. É preciso encontrar outro mecanismo para amenizar os gastos públicos, não pode ser de onde já é escasso. 

O ensino publico e o privado precisam se enamorar, precisar andar de mãos dadas. A Educação precisa ser prioridade no Brasil. Não é justo desprezar o estudante mau instruído. Apontá-lo não o tranfornará em algo melhor, pois é vitima de politicas publicas promovida pelo Estado o qual tem também em Vossa Excelência a representação atual. 

Mesmo sendo Vossa Excelência um "caga pau", quero que realize transformações positivas para o Brasil, e espero que consiga dialogar com a oposição. Esse é o desafio da política, essa é a função da política. 

Eu como cidadão brasileiro gostaria que Vossa Excelência, Presidente da Republica Federativa do Brasil o Senhor Jair Messias Bolssonaro, apesentasse vossa política por meio de um Pronunciamento Oficial em rede Nacional.

Atenciosamente.

Marcelo Peres







Wednesday, 15 May 2019


The STF will soon vote on the decriminalization or not of Cannabis.
Through this contact I argue about it.
I am a user and I defend the recreational and medicinal use of this plant,
Conscious of its effects on the body of people and in the social context cannabis being an existing plant in nature, under no hypothesis human manipulation, it is not fair to be judicially convicted due to the uses that are made of it. Its effects on the body are soothing and muscle relaxants, which causes drowsiness. It also opens the appetite and dilates the bronchi, generating greater oxygenation of the lung. Its natural use benefits lung diseases among other specific ones, besides being used as seasoning in cooking and flavoring. Socially, it is cause for great prejudice without knowledge of cause, which generates moral and physical violence.
In other drugs, its effects are derisory, with side effects inferior to cigarettes and alcohol, and a possibility of treatment of chemical addictions by substitution. Undoubtedly all excess is harmful and moderate use will depend on individual awareness and legislative regulation. Its prudence will extend the labor market from planting to the product on the market within quality standards and products and services that will extend in many ways.
The trade and use of cannabis, as well as weakening criminal organizations, will eliminate prejudices that justify violence and social exclusion without parameters.
I therefore call for Cannabis to be decriminalized, not necessarily liberated. DESCRIBED ONLY.
It is not just drug status its use in nature, if it exists in Nature is of Divine creation, and that which is of Divine creation does not justify being condemned by human criteria. Still less be grounds for prejudices that are of human characteristics.
I leave here my certain appeal that the STF will make the decisions with due justice.

Marcelo Peres

Monday, 1 April 2019

The ONG Sampa Pé (sampape.org), with the support of PARTIO (partio.com.br)  e Mobilize (mobilize.org.br) withou my consent and authorization has been using images of my work in their media content, with the intention of associating with them. I do not know these people, nor do I have an interest. Thus clarifies that the ONG Sampa Pe, has political party purposes, in fact linked to the PT and related groups. People like these, make the Brazilian's Ethics fall into disrepute. These organizations, patronized by politicians and parties defeated in the last elections, desperately override civil and constitutional rights in an attempt to maintain their political privileges. Regrettably, tipis of people like these use of traffic of political influence to approve their projects without any criterion of evaluation. Such things must be eliminated so that we can expect a fairer and more honest country.

Sunday, 17 March 2019

ARTEM

hoc spatio invisibilis inter nos
finibus spatii aetherium

Wednesday, 20 February 2019

takeout-20190208T042054Z-001.zip

Marcelo Peres compartilhou o seguinte arquivo:
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Saturday, 5 January 2019

Friday, 4 January 2019

Color off

Look, the elements of Art used as political representations by opposition. I want to remember that elements of the Art were used as political references by the Nazis. In Brazil this resource has been used as an Opposition. Art is self-transformation tool, in no hypothesis political attack tool. Simply in Brazil, every color theory studied over the centuries has been misrepresented to be used as an ideological weapon by anti-government policies. Brazil has been recreating the meanings of colors without considering its real materiality. What will I do, an Artist of traces and colors after this re-creation, and that every color I use to express myself is interpreted, according to political expediency? Please leave the colors to us Artists, use the tools of your own activities of interest. Do not imprison us with concepts without foundation. Do not use the elements of Art to hide your incompetence. This only demonstrates what justified the defeat in the polls of PT rhetoric and associates. Play with the role of yourselves without appropriating what you do not know!

Saturday, 15 December 2018

4254545005346472.zip


Marcelo Peres compartilhou o seguinte arquivo:
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Friday, 30 November 2018

Facebook

Actually Facebook's security system is indeed vulnerable. You can not identify devices with the same system and model of mobile device. I believe it to be so on purpose, facilitating account raids as well as manipulation of data for advertising purposes. It is not advisable to use Facebook through mobile phones. Facebook does not have security features for mobile devices like mobile phones. This is understandable, being that Facebook needs to lease the satellite signal fortunately, because if it is not so, the webmaster of Facebook unscrupulously handled the signal in a complete way of users.

Wednesday, 28 November 2018

Facebbok

I will need to delete this Facebook account, unfortunately facebook does not have the resources or use my faith to guarantee user privacy. I believe that Facebook does not have competent team to administer the social network besides programming little efficient. I hope to solve the questions that I presented to solve. If they remain in negligence, I will be forced to delete my profile to preserve myself.

Friday, 23 November 2018

Sunday, 28 October 2018

  Como Artista, meu posicionamento politico é de total neutralidade, com o proposito de zelar pela Liberdade plena de expressao, comunicacao e de ir, e vir. Espero e gostaria nao ser tachado de Fascista ou Comunista por me aproximar das partes. Espero que o candidato eleito caminhe nos trilhos da Constituicao; Brasileira, e com bom senso, pratique politicas de conciliacao e reconciliacao calcados pela Paz. Zelo para que os Recursos Publicos, sejam utilizados com mais propriedade, otimizados e melhor distribuidos, alem de gerar prosperidade a todos sem excecao. Sou otimista e acredito que é meu dever seguir nos trilhos da Justica independente de crencas ou conviccoes. Boa Sorte para todos nos com o proximo Governo eleito.

In the Cultural Policy of the PT, the criterion of choosing who is or is not Artist or would have support of the Government were projects that represented the party interests of the PT, in the mold of Nazism. Many artists have benefited from this practice and have determined that those who do not follow PT party determinations could not in fact be Artists simply because they do not submit to the PT's ideological project. At the present time, these pseudo artists in militancy and pro-corruption political activism, see investing in the vandals against voters and Artists like myself, who do not subject myself to the impositions of the PT. Fortunately, the demagoguery and the reversal of the PT's ethical values ​​were defeated at the polls. It is understandable that they are with the grudge exhaling through the pores, after all, they will not be able to exercise command power with the support of the PT. I hope that these pseudo artists financed to do the party publicity of the PT in the mold of Nazism, in fact do Art to justify themselves, therefore, being an artist and saying what is art through partisan politics is very easy, especially when using the Poverty to determine the best.


As an Artist, my political position is of total neutrality, with the purpose of watching over freedom of expression, communication and coming and going. I expect and I would not be labeled Fascist or Communist for approaching the parts. I hope that the elected candidate will follow the guidelines of the Brazilian Constitution, and with good sense practice policies of conciliation and reconciliation, which are based on Peace. So that Public Resources is used more properly, optimized and better distributed, besides generating prosperity for all no exception. I am optimistic and I believe it is my duty to follow the path of Justice regardless of beliefs or convictions. Good Luck for all of us with the next elected government.


Na Política Cultural do PT, o critério de escolha de quem é ou não Artista ou teria apoio do Governo foram projetos que representavam os interesses partidários do PT, nos moldes do nazismo. Muitos artistas se beneficiaram dessa prática e determinaram que aqueles que não seguem as determinações partidárias do PT não poderiam ser de fato Artistas simplesmente porque não se submetem ao projeto ideológico do PT. Na atualidade, esses pseudo-artistas em militância e ativismo político pró-corrupção, veem-se investindo nos vândalos contra eleitores e artistas como eu, que não se sujeitam às imposições do PT. Felizmente, a demagogia e a inversão dos valores éticos do PT foram derrotados nas urnas. É compreensível que eles estejam com o ressentimento dos poros, afinal, eles não serão capazes de exercer o poder de comando com o apoio do PT. Espero que esses pseudo artistas financiados para fazer a publicidade partidária do PT nos moldes do nazismo, na verdade façam Art para justificar-se, pois, sendo um artista e dizendo o que é arte através da política partidária é muito fácil, principalmente quando se usa o Pobreza para determinar o melhor.

Friday, 26 October 2018

Tuesday, 16 October 2018

Saturday, 13 October 2018

Tuesday, 9 October 2018

Sunday, 7 October 2018

Monday, 1 October 2018

Thursday, 27 September 2018

Monday, 24 September 2018

Friday, 14 September 2018

Wednesday, 29 August 2018


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